I had the privilege of being involved in the early stages of my colour grading career when I had the opportunity to work on the remarkable feature film 'Walking With Shadows'. Initially, I was entrusted with the task of grading the film's trailer, collaborating closely with director Aoife O'Kelly to craft a captivating look for selected scenes, optimizing the exceptional cinematography captured by DOP Gerard Puigmal. Upon completing the trailer, I was asked by producer Funmi Iyanda if I would like to come on board for the full film. 

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Having already delved into the trailer, I gained a deeper understanding of the unique qualities of the footage and developed a strong sense of the stylistic direction desired by Aoife. Armed with this knowledge, I was able to approach the full film with confidence and a clear vision.

A significant aspect of the grading process revolved around effectively differentiating between the flashback scenes and the present day. Through extensive experimentation, my team and I explored various looks, ultimately settling on a bleach bypass aesthetic. This approach involved desaturating the colors while retaining a hint of silvery tones in the image. Although subtle, we found that this technique had the desired impact on the audience, reinforcing the distinct timeline shifts within the narrative.

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This project offered me invaluable experience and allowed me to contribute to an artistic endeavor that captivated audiences and left a lasting impression.